Everyone in mexico is wearing masks, and if youve been to the cal poly health center, masks there too. Dont wanna get swine flu, so you wear the blue mask, but then again, if you wear the mask, you wont get a date... and pretty much lose all your friends. so why not do it in style!
more from giz
Thursday, April 30, 2009
Wednesday, April 29, 2009
is this necessary?
a shower curtain designed to inflate after 4 minutes of showering, to prompt you to gtfo and stop wasting water.
Monday, April 27, 2009
MVC2
http://www.tu4ar.com/intro/
OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD
OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD OH MY GAWD
Sunday, April 26, 2009
Saturday, April 25, 2009
Thursday, April 23, 2009
Kicksburgh 2009
Jess Chorng is a fucking bad ass for making this. 100 iconic and famous sneakers serve as pixels to recreate the image.
Sneaker Mirror from Jesse Chorng on Vimeo.
Sneaker Mirror from Jesse Chorng on Vimeo.
Wednesday, April 22, 2009
Monday, April 20, 2009
Team Teamwork - The Ocarina of Rhyme
I'm usually not a big fan of mashups, but i can't deny my Nintendo fan-boy screams. Actually really surprised to hear it played during PCN this weekend. Thanks to Bryan Kim for the heads up.
Wednesday, April 15, 2009
Rosson Crow
Found this on kaws blog, description from wiki. think my friend jos might like this
She is known for her exuberant large-scale depictions of nostalgia-laden interiors that blend historical allusion and theatrical illusion. The paintings evoke the good times of yesteryear, with lush interiors that are always deserted, yet speak eloquently — if obliquely — of recent use and inhabitation. The sense of loss is counterbalanced by the richness of textures, patterns, and references — and especially by vibrant, clashing colors, which display an irreverence to the subject-matter. The work also stands out for its hallucinogenic spaces, with interiors fracturing and distorting from realistic representation into abstraction and surrealism, and “teetering,” as she puts it, “between claustrophobic and agoraphobic.”
She is known for her exuberant large-scale depictions of nostalgia-laden interiors that blend historical allusion and theatrical illusion. The paintings evoke the good times of yesteryear, with lush interiors that are always deserted, yet speak eloquently — if obliquely — of recent use and inhabitation. The sense of loss is counterbalanced by the richness of textures, patterns, and references — and especially by vibrant, clashing colors, which display an irreverence to the subject-matter. The work also stands out for its hallucinogenic spaces, with interiors fracturing and distorting from realistic representation into abstraction and surrealism, and “teetering,” as she puts it, “between claustrophobic and agoraphobic.”
Tuesday, April 14, 2009
Monday, April 6, 2009
Wednesday, April 1, 2009
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